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Archive for the ‘Sound/Music’ Category


Door to the River

Friday, March 30th, 2012

Performed continuously from dusk until dawn, this collage of sound, light, and motion is an experiment in spontaneity inspired by abstract expressionist painters. All of the sound in the performance is improvised, cyclically built up and broken down as waves and vibrations constantly overlap and overtake what came previously. A sense of continual becoming characterizes the piece. Like the flowing elements in the paintings of Willem de Kooning, the sounds are connected to color and movement as video projections envelop the space. Fluctuating between representative imagery and nonrepresentational form and color, the video loops at random to maximize the unexpected.

Presented by Gallery 148 (a student-curated exhibition program) at the Minneapolis College of Art and Design.

Ryan Hughes and Matt Reimers

Ryan Hughes and Matt Reimers are seniors with a concentration in painting in the fine arts studio program at MCAD.

Observation Tape Deck

Thursday, March 29th, 2012

 Based on her installation Status Update, Caly McMorrow’s Observation Tape Deck is a site-specific, interactive light and sound installation for the Foshay Tower’s observation deck that plays on the Foshay’s significance as a historic building and its former role as a radio transmitter. Participants are invited to use vintage broadcast microphones stationed at each corner to record their observations or memories inspired by this unique panoramic view of the Twin Cities. Speakers placed on all sides of the outdoor observation area play back the stored recordings in sync with vintage lightbulbs, creating an evolving collage of visitors’ experiences throughout the 12-hour installation.

Caly McMorrow

Caly is an installation artist, electronic musician, and sound designer. One of few women in the DIY-driven cultures of circuit bending, hardware hacking, and chiptunes, she blends a background in classical music, technical theater, and digital audio to create environments that incorporate sound, light, and interactivity.

Don’t Wake the Neighbors Concert

Tuesday, March 27th, 2012

Gear up for the morning hours with caffeinated beverages and high-energy unplugged live music from Sleeping in the Aviary and Buffalo Moon.

Located in the Riverview Gallery of the Weisman Art Gallery.

21%

Tuesday, March 27th, 2012

21% is a site-specific sound installation that invites Northern Spark participants to influence a sound collage in collaboration with the trees they walk among and other visitors to the park. As people enter the dedicated area of Target Park, an exchange begins to take place—invisible, silent, ethereal. We are colluding with the plant life around us. Leaves absorb the noxious gases we expel (carbon dioxide), transforming them into energy for themselves while excreting oxygen—and, in turn, supporting all aerobic life.  

21% is the proportion of oxygen present in every human inhalation of air that materializes this exchange. Carbon dioxide for oxygen, breath for energy, life for life: 21% calls attention to the delicate balance we humans maintain with plants.

The largest extinction event ever known to this planet occurred 2.5 billion years ago, when oxygen entered the earth’s atmosphere. All anaerobic life on earth was wiped out as the stage was set for human existence. Now another gas, carbon dioxide, is growing increasingly concentrated in the atmosphere, posing a threat to some and presumably a promise for other life forms. As our atmosphere continues to transform, 21% uses sound to remind us of our interdependence with the plants around us.

Sensors among the trees activate with the presence of people. Lights beckon visitors to enter the space. As they do, the lights dim and sound emerges, attempting to lure more people to join this exchange of breath. As the space fills with people, the sounds grow stronger. When the environment reaches the perfect balance of people and leaves (the ideal exchange of O2 and CO2), the soundscape becomes enveloping and celebratory. If people overrun the space, the soundscape grows repulsive in an attempt to expel people from the space and return balance to the environment. Additional sensors are affected by movement—by humans, animals, or leaves blowing in the wind. These sensors activate rhythms and sounds that layer on top of the sound collage, adding elements of sonic movement and chance over time.

Dan Scofield

Dan Scofield is an artist, musician, and filmmaker based in Brooklyn who blurs the boundary between sight and sound. He formed the acclaimed avant jazz quartet SHOT x SHOT and has toured the world in numerous musical ensembles. He is a graduate student in the Interactive Telecommunications program at New York University. danscofieldstudio.com

Miriam Simun

Miriam Simun designs interactive experiences. Her work explores new possibilities for interacting with our machines, our environment, and each other. She has exhibited and lectured at Postmasters Gallery, New Museum, CUNY Graduate Center, New
York University, Concordia University, and Conflux Festival. She speaks Russian and designs creative disruptions at www.miriamsimun.com.